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人气3008电影
7.01983其它HD中字
情感的力量力量歌剧20我要克鲁格
年份：1983
主演：Hannelore Hoger Alexandra Kluge Edgar M. Böhlke
描述： ThePowerofEmotionexplainsthatemotionisn'ttobeconfusedwithsentimentality.Emotionisancientandmorepowerfulthananyartform.Thefilmlooksatyoungcoupleswhorunintodifficultiesastheytrytotranslatetheirexperiencesofloveintocleardecision-making.Awomanwhohasshotherhusbandprovidesajudgewithapuzzle.Thosewholovecanbringthedeadbacktolifebymeansofco-operation.That'sthefocusoftheopera,"ThePowerPlantofEmotions"andthe"Operaofthe20thCentury"cinema. AlexanderKluge:ThePowerofFeeling WhenIstartedworkingonThePowerofFeeling,Iwasnotinarationalstate.Ididnotsay,IhaveasubjectandnowIwillmakeafilmaboutit.InsteadIwasspellboundandobservedinmydirectsurroundings,forexample,howfeelingsmove.Ihavenotreallydealtwiththethemeofmymother'sdeathandthefactthatshewastheonewhotaughtme"howfeelingsmove."NorhaveIdealtwithhowshedied.Thatwasanentirepaletteoffeelings:"Allfeelingsbelieveinahappyend,"andeveryonebelievestacitlythattheywillliveforever:Theentirepaletteissomehowoptimistic,apositiveattitudetowardslifehavingbeenputontheagendaaslongasshewasyoung,aslongasherbodyheldout,fromonedaytothenextshecollapsed.Shejustsuddenlycollapsed,likeinanoperawheredisastertakesthestageinthefifthact.ItfeltasifIhadobservedanairraidoradisaster. ThefilmThePowerofFeelingisnotaboutfeelings,butrathertheirorganization:howtheycanbeorganizedbychance,throughoutsidefactors,murder,destiny;howtheyareorganized,howtheyencounterthefortunetheyareseeking.Whatisallthisorganizationoffeelingsabout?Generallyfeelingstendtobeadictatorship.Itisadictatorshipofthemoment.ThestrongfeelingIamhavingrightnowsuppressestheothers.Forthoughtsthiswouldnotbethecase.Onethoughtattractsotherslikeamagnet.Peoplethereforeneedaffirmationbyotherpeopletobesureabouttheirownfeelings(tocounteracttheacquisitionoftheirfeelingsthroughoutsideforces).Throughtheinteractionofmanypeople,forexample,inpublic,thevariousfeelingsalsohaveamagneticattractiontooneanotherjustlikethoughtsdo.Feelingscommunicatethroughtheirmanifestationinpublic. Thecinemaisthepublicseatoffeelingsinthe20thcentury.Theorganizationissetupthusly:Evensadfeelingshaveahappyoutcomeinthecinema.Itisaboutfindingcomfort:Inthe19thcenturytheoperahousewasthehometofeelings.Anoverwhelmingmajorityofoperashadatragicend.Youobservedavictim. Iamconvincedthatthereisamoreadventuresomecombination:Feelingsinboththeoperaandtraditionalcinemaarepowerlessinthefaceofdestiny'smight.Inthe20thcenturyfeelingsbarricadedthemselvesbehindthiscomfort,inthe19thcenturytheyentrenchedthemselvesinthevalidityofthelethalseriousness.
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